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Facts: |
Reached #1 on the BILLBOARD charts in July 1960. (sav-man) |
A different Paul Vance went around telling everyone that he wrote the song. He even told his wife he wrote it. When the faker died, the real song writer got a lot of concerned phone calls thinking that he was dead. (Halgar) |
Authors also wrote "Leader of the Laundromat" (peterpuck9) |
Web pages about this song: |
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Song Lyrics: |
She was afraid to come out of the locker, She was as nervous as she could be. She was afraid to come out of the locker, She was afraid that somebody would see! (Two, three, four, tell the people what she wore!)
It was an itsy bitsy teenie weenie yellow polka-dot bikini, That she wore for the first time today. An itsy bitsy teeny weenie yellow polka-dot bikini, So in the locker she wanted to stay! (Two, three, four, stick around we'll tell ya more!)
She was afraid to come out in the open, And so a blanket around her she wore. She was afraid to come out in the open, And so she sat bundled up on the shore. (Two, three, four, tell the people what she wore!)
It was an itsy bitsy teenie weenie yellow polka-dot bikini, That she wore for the first time today. An itsy bitsy teeny weenie yellow polka-dot bikini, So in the blanket she wanted to stay! (Two, three, four, stick around we'll tell ya more!)
Now she's afraid to come of the water, And I wonder what she's gonna do. Now she's afraid to come out of the water, And the poor little girl's turnin' blue! (Two, three, four, tell the people what she wore!)
It was an itsy bitsy teenie weenie yellow polka-dot bikini, That she wore for the first time today. An itsy bitsy teeny weenie yellow polka-dot bikini, So in the water she wanted to stay!
From the locker to the blanket, From the blanket to the shore, From the shore to the water, Guess there isn't any more! (Bill L) |
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fjrigjwwe9r1Videos:VideoSpecification |
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Current Rating
10.0
(5 votes)
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Played on 54 shows: |
 | 06-01-19, #AOTA-190601 |  | 10-02-06, #MM-76 |
 | 09-01-18, #AOTA-180901 |  | 05-30-04, #XM-53 |
 | 06-26-18, #MMP-52 | | 07-07-03, #ISGD-03-26 |
 | 06-21-17, #ISGD-17-25 | | 06-16-03, #ISGD-03-23 |
 | 10-01-16, #AOTA-1601001 |  | 06-23-02, #02-25 |
 | 06-18-16, #AOTA-160618 |  | 07-12-98, #98-28 |
 | 06-18-16, #16-25 |  | 07-27-97, #97-30 |
 | 04-09-16, #AOTA-160409 |  | 06-13-93, #93-24 |
 | 11-08-15, #BWR-15-11-08 |  | 07-21-91, #91-29 |
 | 08-30-14, #ISGD-14-49 |  | 07-08-90, #90-27 |
 | 06-21-14, #AOTA-140621 | | 07-30-89, #89-31 |
 | 05-01-14, #MMP-30 |  | 07-26-87, #87-30 |
 | 02-01-14, #AOTA-140201 |  | 04-05-87, #87-14 |
 | 06-08-13, #13-23 | | 07-13-86, #86-28 |
 | 06-01-13, #AOTA-130601 | | 06-30-85, #KMET-85-26 |
 | 04-13-13, #13-15 |  | 06-30-85, #85-26 |
 | 09-01-12, #AOTA-120901 |  | 06-24-84, #84-26 |
 | 06-23-12, #AOTA-120623 |  | 04-29-84, #84-18 |
 | 06-19-12, #BWR-12-06-19 | | 12-04-83, #83-49 |
 | 12-03-11, #AOTA-111203 | | 06-28-81, #81-26 |
 | 11-26-11, #11-48 | | 03-29-81, #81-13 |
 | 06-25-11, #AOTA-110625 | | 07-13-80, #80-28 |
 | 06-21-11, #BWR-11-06-21 | | 07-22-79, #79-29 |
 | 05-28-11, #AOTA-110528 | | 05-27-79, #79-21 |
 | 06-14-09, #MMCZ-09-21 |  | 01-28-79, #79-04 |
 | 07-06-08, #08-27 | | 07-18-76, #103 |
 | 01-28-07, #MMS-63 |  | 08-17-75, #55 |
 | = Show you can listen to online |
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RadEditor - HTML WYSIWYG Editor. MS Word-like content editing experience thanks to a rich set of formatting tools, dropdowns, dialogs, system modules and built-in spell-check.
RadEditor's components - toolbar, content area, modes and modules |
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Toolbar's wrapper | | | | | |
Content area wrapper | |
RadEditor's bottom area: Design, Html and Preview modes, Statistics module and resize handle. |
It contains RadEditor's Modes/views (HTML, Design and Preview), Statistics and Resizer
Editor Mode buttons | Statistics module | Editor resizer |
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RadEditor's Modules - special tools used to provide extra information such as Tag Inspector, Real Time HTML Viewer, Tag Properties and other. | |
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Song samples are provided for information purposes only and are intended
to enable the users to sample the music (as they are in very low quality) before
they take the decision of purchasing the music. This right is expressly permitted
under "Fair Use" as nonprofit educational purposes only. The
ownership of the copyright of the songs rests with the respective owners.
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