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6:59
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"The Saga of Smuggler Bill"
Twas a cold and foggy summer night In the City by the Bay. At the bar they call "The Funky Joint", The dealers were at play. There was Cocaine Bill and Hashish Hal And Hydrobromide Sue And the reefer smoke would've made you choke And the punch would turn you blue.
All the women were dressed like high-priced whores; The men were hairy and lean. They snorted their coke through a "century note" And knew they were making the scene. When out of the gloom and into the room Stepped a man with a neck so red, That I said, with a wink, "Y'know, I think You want another bar instead!"
He said, "My fellow hippie - For I am one of those - 'Hip' does not come from length of hair; 'Far out' is not from clothes. Being 'high' is who you are And not your brand of pill. I'm in the marijiuana game; My name is Smuggler Bill."
And then he gave an eerie shriek Which made our heart-strings snap He heaved himself atop the bar And started into rap: "Oh, some may sing of the Yukon And some of Mandalay But I must sing of the real thing And what's happening today!
"I nearly died in Vietnam And then, when I got back, I found my folks in Bakersfield Living in a shack. There was no food; there were no jobs. No money could I find And then I met an Army pal With a scheme that blew my mind!
"His name was Pedro Gomez And he liked his chili hot. His grandpa lived in Mexico And grew a field of pot. The summer had been warm and bright; They had a heavy yield. He wanted me to drive a truck From Nogales to Bakersfield.
"I do not care too much for weed; I'm more inclined to booze. But a hundred-thousand dollars Was too much to refuse! An iron lung for Betty Lou, Some shoes for little Pete A pretty dress for sister Tess And food for all to eat!
"So we boogied down to Mexico Where the golden eagle soars In a truck with the name of a famous chain Of retail grocery stores. And there we made fiesta Until far into the night. And we loaded the truck with kilo bricks By the early morning light.
"Then Pedro's wife clutched at his shirt And stared him in the eye. She said, 'Don't go, querido; I fear today you die!' But Maria could not hold him back And up to the truck we strode. Suddenly, a shot rang out And Pedro fell dead in the road!
"More shots rang out; Maria screamed; My heart had stopped in fright! Old Grandpa shouted, 'You must go! We will stay and fight!' It was the Federales And they had us by surprise When all my kin, so pinched and thin, They flashed before my eyes! 'We Shall Overcome,' I screamed As I turned the engine on And they set the fields on fire As I sped off through the dawn.
"At last, I came to the border gate And I began to pray. There was a mean and ugly guard And he stood in my way. 'You sure you got tomatoes, kid,' He asked with a nasty leer. And I drove on top of that lousy cop As I slammed the truck in gear!
"Fourteen thousand pounds of weed And all of it was tops. The semi raced through desert wastes And all I saw was cops. They followed me in squad cars And they followed me in jeeps. They flew above in aeroplanes And that gave me the creeps!
"But the truck was built by Pedro's dad, A mechanic with Einstein's brain. The engine was blown and only he'd known What the gas tank did contain. I pushed a button on the dash; The smokestacks belched blue flame; The tires shrieked; the engine moaned; A shudder shook the frame!
"I pulled away from the fuzz so fast That it seemed that they stood still And I looked in the rear-view mirror and laughed And popped another pill. A gallon jug of coffee And hearts of Dexedrine... I was looking pale and wasted And my thoughts were black and mean.
"I was coming down from my last pill; I knew I needed more When I saw poor Pedro's Levi's shirt Still lying on the floor. I reached in the pocket; I found his stash. I grinned with unholy glee! But it wasn't an innocent paper of speed... Twas a gram of LSD.
(next four lines spoken slowly, speeding up slightly each line) "Soon I became so wide awake, I was in another place. The road became a rattlesnake That danced before my face. The engine had become my heart; My feet became the wheels. My veins were filled with diesel fuel. I sang, 'HOW GOOD IT FEELS!'
"I suddenly saw that the desert pass Had a giant woman's form With a garment of cactus and Joshua trees And hair like a distant storm. I drove along her stomach white And up unto her chest And as the sun was sinking low I drove across her breasts. I drove among the purple hills And felt a nameless dread... Yet how could I know that the highway patrol Had a roadblock set ahead?!
"On a stretch they called 'The Grapevine' Where the road is snarled in curves With switchbacks, cliffs and hairpin turns To test the strongest nerves, They laid in wait to seal my fate On a turn they thought was blind... But they couldn't grok; I could see through rock With my psychedelic mind! I saw them from six curves away; I'll see them ever more! I knew there was no turning back As down the pass I tore.
"At Angel's Hairpin, where they hid, There was an awesome cleft. The cliff went straight up on my right And straight down on my left. The gorge went in for half-a-mile With a road cut inside While at its mouth, the chasm yawned Two hundred paces wide!
"I could not stop, I could not turn! I raged, I spat, I swore, 'AH, WHAT THE @#$%; I'LL JUMP THE TRUCK!' And I stomped it to the floor! Up...out across the chasm wide, The mighty semi flew And I heard them yell like the damned in hell When they saw their game was through!
"I touched the ground with a soft rebound Like a girl in some ballet. When I saw the lights of Bakersfield, I smiled and lit a 'jay'. I took the truck in the dead of night To a place I will not name. I traded the stash for a box of cash But the world was not the same!
"Oh, some may sing of the Yukon And some of Mandalay..." And, here, he paused with slackened jaws Forgetting what to say. The crowd was hushed; his face was flushed; We knew he'd gone too far. He looked at the ceiling, howled like a dog And then puked and fell off of the bar! ARRRROOOOOOO...BLEEEEK...HA-KLUNK! (ChrisWolvie) |
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Current Rating
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fiogf49gjkf0d Ah, c',mon! "Grok" is like "Zen," it's timeless!
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fiogf49gjkf0d I was going strictly by the lyrics of the song. And I'll admit that I couldn't get "Hydrobromide" despite how many times I listened. As for "grok", it was a BIT before my time, but I'll trust your better knowledge. Those two I changed. The rest I leave as is.
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fiogf49gjkf0d Thanks for posting this!
I heard this performed at a "Tribal Stomp" gathering in People's Park, Berkeley about 30 years ago, and it stuck with me ever since. At parties, I'll sometimes recite it from memory as a nice change from the usual "Shooting of Dan McGrew" stuff. So nice to come across these lyrics!
Now if I could only find tapes or scripts for Duck's Breath Mystery Theatre's serial about the Power Kids and Rodo the Monster (from real far away)....
But I did spot a couple of minor inaccuracies (checked against my tape of the original as performed live, so possibly just variants). Two at least are correct corrections - Verse 1 (V1) and V18. Note: 'grok' is an allusion to Heinlein's "Stranger in a Strange Land ", much loved by hip folk of a certain age...
V1: "Hydrobromide Sue" V3: "They call me Smuggler Bill" V4: "...started in to rap" V9: "Then Pedro's wife clutched at his shirt" V18: "On a stretch they call 'The Grapevine' Where the road is snarled with curves; Switchbacks, cliffs and hairpin bends To test the strongest nerves, They lay in wait to seal my fate On a turn they though was blind But they couldn't grok, I could see through rock..."
V19: "And the road cut in inside" V22: "And here Bill paused, with slackened jaws"
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Song samples are provided for information purposes only and are intended
to enable the users to sample the music (as they are in very low quality) before
they take the decision of purchasing the music. This right is expressly permitted
under "Fair Use" as nonprofit educational purposes only. The
ownership of the copyright of the songs rests with the respective owners.
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